Introduction: the legs of sense; Part I. Dialogue and Inscription: 1. Othello, Bakhtin and the death s of dialogue; 2. Too legit to quit: the dubious genealogies of pragmatism; 4. Poe's Foot d'Or: ruinous rhyme and Nietzschean recurrence sound ; 5.
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ISBN 13: 9780521460132
Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? The material elements of writing have long been undervalued, and have been dismissed by recent historicising trends of criticism; but analysis of these elements - sound, signature, letters - can transform our understanding of literary texts. In this book Tom Cohen shows how, in an era of representational criticism and cultural studies, the role of close reading has been overlooked. Arguing that much recent criticism has been caught in potentially regressive models of representation, Professor Cohen undertakes to counter this by rethinking the 'materiality' of the text itself. Through a series of revealing new readings of the work of writers including Plato, Bakhtin, Poe, Whitman and Conrad, Professor Cohen exposes the limitations of new historicism and neo-pragmatism, and demonstrates how 'the materiality of language' operates to undo the representational models of meaning imposed by the literary canon.
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Literature, Culture, Theory: Anti-Mimesis from Plato to Hitchcock (Paperback)
How does the materiality of language re-assert itself as a transformative agent in reading canonical writings from a post-humanist perspective? How do we exceed, today, the ideologies of retro-humanism in the various forms it takes on the right and the left? How much has a mimetic bias to the traditions of interpretation constituted a conservative politics of its own, and is there, today, an anti-mimetic or anti-representational politics located in the activity of reading. Having declared his allegiance to de Manian deconstruction, Cohen will proceed to offer a vindication of deconstructive practice, a vindication that will insist de Manian deconstruction has a significant political function to perform even now.
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Anti-Mimesis from Plato to Hitchcock
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