As the inveterate fibber Lelio, Campbell must be having deja vu-- especially on the splendid set by Giulio Cesare Perrone, which plunks us down in a richly rendered piazza in Venice. Campbell, who once drew crowds with his own street performances, adds the extra physical tricks that only street actors know. More crucially, he is our surest guide into a comedy with a Moliere-style plot and moralities. Balanzoni John Ross Clark , Lelio is forced to even more baroque levels of lies, to the point that he is posing as a rival suitor. Clark is funny as the other aggrieved parent, but as his daughters, Lisi and Kellermann are vocally weak in a company of declarative actors.
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As the inveterate fibber Lelio, Campbell must be having deja vu-- especially on the splendid set by Giulio Cesare Perrone, which plunks us down in a richly rendered piazza in Venice. Campbell, who once drew crowds with his own street performances, adds the extra physical tricks that only street actors know.
More crucially, he is our surest guide into a comedy with a Moliere-style plot and moralities. Balanzoni John Ross Clark , Lelio is forced to even more baroque levels of lies, to the point that he is posing as a rival suitor.
Clark is funny as the other aggrieved parent, but as his daughters, Lisi and Kellermann are vocally weak in a company of declarative actors. Knox carefully avoids making his expressively love-struck Florindo a simp. But there is no obvious urge at the Moulton to do an homage, only the deeper urge to turn clowning into something that hurts. Tuesdays-Fridays, 8 p. Ends April 2. Running time: 2 hours, 20 minutes.
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HAZLITT MY FIRST ACQUAINTANCE FILETYPE PDF
THEATER REVIEW : Goldoni’s ‘The Liar’ Turns Clowning Into Mirthful Fun
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